Behringer Tube Ultrafex T1954 Manual
6 user reviews on Behringer Tube UltraFex T1954. (Originally written by moody13/translated from Audiofanzine FR) No effects Tube. Manual French simplistic but. Get Behringer T1954 - BEHRINGER Spezielle Studiotechnik User's Manual TUBE ULTRAFEX T1954. Get all Behringer manuals! 6 user reviews on Behringer Tube UltraFex T1954. Because of a lawsuit from the technology owners who have been dreadfully despoiled by Behringer. Manual French.
TUBE ULTRAFEX T1954 2.3 Basic Setting We recommend setting the controls as indicated in the following section. This will give you a better idea of switch and control functionality: s Set the SURROUND IN/OUT switch to position OUT and the L/C FILTER switch to position OFF. Turn the TUNE controls to center position and all other controls fully CCW. Set the EFFECT IN/OUT switch to position IN. S You may find that getting to know a dual channel processor like the TUBE ULTRAFEX is easier when you concentrate on one channel first. Drive Increaser Software. If you have a mixer connect the TUBE ULTRAFEX to the insert of one channel only. See also the Chapters 2.1 and 3 for the right connection.
2.4 Adjustment of the Bass Processor Apart from processing the upper harmonic ranges, users of the BEHRINGER TUBE ULTRAFEX have access to an innovative Bass Processor. The numerous stages of processing during the recording, reproduction, copying and effecting processes, increasingly delay the phase of the bass frequencies, when compared to the remaining frequency ranges. This is why the low-frequencyrange suffers from a loss in power and fundamental bass definition. With the help of frequency-selectivephase shift combined with sub-bassboost, the Bass Processor of the BEHRINGER TUBE ULTRAFEX is capable of compensating for this loss, giving the program material new bass presence. Using the MODE switch, you can select between two different bass sounds. Be extremely careful when using the Bass Processor: excessive use of the Bass Processor might lead to speaker damage. The amplified sub-bassfrequencies may well place a heavy load on the amplifier and the woofers.
Therefore, carefully adjust the Bass Processor and observe the power rating of your system! 2.5 Adjustment of the Noise Reduction System With the SENSITIVITY control you can now adjust the noise reduction system. The noise reduction system prevents noise from becoming audible during pauses and soft pieces in the program material. The enhancer/exciter signal is reduced dynamically when the signal drops below the value set by the NR SENSITIVITY control.
The NR SENSITIVITY also controls the sensitivity of the enhancer/exciter. When the NR SENSITIVITY control is turn clockwise more harmonics are added by the enhancer/exciter section. Turn the control counter-clockwisewith lower signals and further clockwise for loud signals. Use the three LEDs above the control to monitor the effect to avoid “pumping” or other side effects. When more LEDs light up the enhancer/exciter is increasingly active. When all three light up the Noise reduction system is inactive. Sophia Loren Mambo Italiano Mp3 here.
When none light up the effect signal is muted, the enhancer/exciter is inactive. Try to set it up so that at soft pieces only one LED lights up and all three light up at loud pieces. + When the NR SENSITIVITY control is turned so far counter-clockwisethat no LEDs light up, the effect signal is muted and the settings for the enhancer/exciter are inactive. When this happens, simply turn up the NR SENSITIVITY until the LEDs light up. 2.6 Adjustment of the Enhancer/Exciter System Now you can start processing the high frequencies. Turn the HIGH MIX control clockwise and notice how the high frequencies become more pronounced and transparent. When you turn the TUNE control, the frequency at which the effect begins is changed, the PROCESS control changes the way the effect operates.