Putumayo Nuevo Latino Rar

4/30/2018by

'The term 'Nuevo Latino' was coined in the 1990's to describe a new type of cuisine fusing ingredients from Latin America, Europe and the U.S. The same fusion is occuring in the music world, as young international artists blend Latin rhythms, alternative rock, reggae and electronica to create a new musical stew.On this CD you'll hear hints of Cuban 'son' Brazilian 'bossa nova,' Argentinean 'tango' along with touches of hip-hop and blues. As always with Putumayo, the liner notes are extensive and provided in English, Spanish and French.they even include the recipe for Chupe De Camarones.It's an exciting CD, but (I think) more likely to please a fan of new music than a traditional Latino music afficionado.Curator, AfroAmericanHeritage.com'. 'A sweet set of soft, sly, (mostly) Spanish-language pop from across the globe, including Cuban, Mexican, Brazilian and European artists, all linked together by a sleek, subtle style that foregoes the aggressive edge of both Afro-Cuban salsa and rock en espanol. It's a surprisingly strong set, mellow without being goopy, downtempo without drifting into any of the electronica/world beat cliches that are so prevalent these days. Plus, it has New York's Mosquitos on it -- a pleasant surprise that really made me sit up and take notice. Highly recommended if you're looking for something to space out on, but don't like stuff that's too goopy or contrived.'

Putumayo Nuevo Latino Rar

'The folks at Putamayo continue to show that they have great skill in finding new music and unbeatable taste. This compilation eschews more raucous and festive party music for new music from the Spanish-speaking world that has been influenced by electronica and art rock. The mood is romatic but cool. Highlights include Raul Paz's 'Mulata,' which evokes an erotic obsession on the winding streets of a seaside town--a sort of Last Tango in Barcleona.

The Spanish band Jarabe de Palo's 'Lado Oscuro' is a passion-filled plea from man to woman to love freely with no strings attached. All in all, a great introduction to new artists, some like Paz and Jarabe de Palo who are best known in Europe, and superb ambient background for traveling or a mellow party. Good liner notes introduce the performers. Wish they could include complete lyrics.' 'This is the perfect chill disc to throw in your musical rotation.

A mix and match grab bag of musical styles with one common thread; it's in a Latn groove. The artists span the globe which is what one comes to expect from Putumayo. The styles of music run the gamut of Latin exotica but with an edge of electronica that results in world beats with a modern attitude.

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I love stuff like this, it is very exciting to hear traditional music geting a musical makeover; it is music steeped in tradition with wings for the future. There are long established artists like 'Jarabe de Palo', 'Aterciopelados', 'Los de Abajo' and 'Segeant Garica' but there is much more. Lesser known but not neccessarily less talented artists abound for your discovery. That is what Putomayo is all about, discovery of cool music from elsewhere.

Speaking of cool, all these tracks are way cool, especially 'Mi Negra' which has that Manu Chao Clandestino multi-layered, percussive lush sound, puntuated by horns and quirkyness, the reggae-Cuban flavored 'Original' by Kana and 'El Indio' by Los de Abajo, which has a modern tropical feel to it and the ever-lovely voice of Andrea Echeverri from Aterciopelados on 'Manana,' where she invokes an electronica-driven sambaesque beat that has a retro-futuristic vibe that is pure nirvana. This is good music for relaxing late night and finishing off a good night, or anytime, for that matter. Highly recommended for world music aficionados.'

It's true that there's been a modernist movement happening in Latin music, as there has in many other areas, and it's true that some of these artists have been at the forefront of it. What's particularly interesting is that several of them aren't from Latin America, such as, who's French, or (only some of whose work is Latin), who's originally North African. That stands as a testament to the widespread appeal and power of Latin music. But many Latin-based artists who are looking into the future aren't featured here, such as three from Brazil --,, and. While you can make a case for Brazil having its own, very separate identity, the inclusion of the American/Brazilian combo indicates the compilers are more inclusive and exclusive.

Colombia's are a shoo-in for a record like this, and they don't disappoint. Neither do Mexican combo. The remix of their track, 'El Indio,' is a glorious piece of work, the outstanding cut on this album. Sadly, though, much of the work here fails to make an impression, like Kana's 'Original' and 's 'Presente,' both of which come across as anonymous, as opposed to 's jumping, heavily reggae-inflected 'Mi Ultima Voluntad.' The problem (or possibly the opportunity, depending on how you look at it) is that some much different music comes under the heading of Latin, so you can take it in any direction you choose -- Cuba, for example, is notable by its absence from this record, although there are plenty of forward-looking young bands on the island.

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